《深夜中(🈂)的(de )SUPERCAR》是一部(bù(🌖) )关于汽车梦(🏸)想(🏦)的(de )幻想剧，故(🔸)事舞台设定(🏸)在(zài )日本爱(💜)知(👖)(zhī )县长久手(🆗)市，女(nǚ )主(zhǔ(🙏) )白雪（山本美(❔)月 饰 ）是一(♓)(yī )位汽车设(🙆)(shè )计师，她很憧(🖐)憬(jǐng )日本国(💔)产(chǎn )车史上(⛵)最高杰作(zuò )“NAGOYA 2000GT”，期(🌊)(qī )待自己也能设计(jì )出(🔨)那样的(de )车，可是(💍)她突然(rán )被调到汽(qì )车(👏)开(🌠)发团队工作(🍻)(zuò )，在她访(fǎ(🐰)ng )问(wèn )展示2000GT的(🆕)博(🌹)物馆时(shí )，遇(🎾)到了(le )企图偷(😉)走2000GT的混血(xuè(🔑) )男(🎙)子里卡(kǎ )尔(🎞)德，还有一个(➖)(gè )身穿白色(🌡)(sè(🥝) )赛车服套装(🆑)的神(shén )秘男(🚒)子突(tū )然出现(🤾)，让整个(gè )博(🤨)(bó )物馆像(xià(🌵)ng )被施了魔法一(📎)样，变成一个(👪)(gè )不可思议(😾)的空间(jiān )。

워커(🙊)홀릭 남편을 둔 가정주부(⏹) 아키호는매일(🤪) 밤 욕구 불만에 괴로워하(🎸)지(🅱)만 임신한 딸(✂) 부부와 함께(😅) 살기에 내색(🖍)도(🍇) 못한다.얼마(🖐) 후 딸은 입덧(😍) 때문에 입원(🅿)을(🥗) 하고 남편도(🕎) 외국으로 출(🚮)장을 떠난다(👓). 아(🤖)키호는 사위(🌳) 타츠와 단 둘(🛰)이 남게 되자그(🌠) 동안 쌓인 욕(🐋)정을 참지 못(📇)하고 사위에게(😽) 뜨거운 바디 어택을 시도(🎉)한다.

影(yǐng )片故(🔓)事由(yóu )一次旅途展开，七(🚼)个互不(bú )相识(🏙)的人，冥冥(mí(🤠)ng )之中上了(le )同(🙄)一(🥂)辆车。在车(chē(🛫) )辆进入黑(hē(🍑)i )暗的隧道后(🍅)，却(🎬)(què )永(yǒng )远开(🍕)不(bú )到(dào )尽(🚰)头。经过多种(🎺)(zhǒ(🚤)ng )尝试，他(tā )们(⛩)依然无法逃(🤫)离(lí )。莫名出(🗳)(chū(🎬) )现的尸体，死(🌁)而(ér )复生的(🛠)故(gù )人以及突(🔧)如其来(lái )的(🔕)凶杀接(jiē )踵(🍌)而至。和这没(mé(🔛)i )有尽头的(de )隧道一样恐怖(🎠)的，是每个人(ré(🎳)n )在黑暗中逐渐暴(bào )露的(🥌)人性(xìng )……

80年(🕒)代，老村(cūn )长(😝)为了女(nǚ )儿(🏍)上(🏁)学读书，努(nǔ(💫) )力赚钱养(yǎ(👚)ng )家···

故(🅰)事(🛠)发(fā )生在三(♈)界(jiè )之外的(⛪)无方城，彼(bǐ(🍥) )时(🏵)莫瑜(yú )还(há(📞)i )是科技公司(🗣)的老(lǎo )板，在人(👟)(rén )间混的风(🥧)生水起(qǐ )，突(🏯)然被(bèi )合伙人(🔉)卷走了所(suǒ(👑) )有的家当(dā(🗼)ng )，一夜之间债台(😟)(tái )高筑，气(qì )急的莫瑜晕(🍿)了过(guò )去。再次(🕚)(cì )醒来的莫瑜，被一(yī )只(🥌)乌鸦(yā )带(dài )到(🅱)了无方城中(🤚)的(de )如意厨房(🏠)(fá(💯)ng )……

Ann is consumed by the fantasy of finding true love. Just when she thinks she's found it, she is friend-zoned. The disappointment of rejection sends her into an obsessive downward spiral that tests the limits of her sanity and the strength of her closest friendship. In order to reclaim her bearings on reality, she confronts her overgrown fantasies by making a film about the experience. The result is a vulnerable, hilarious, and vibrantly stylized investigation of love.@

Ann is consumed by the fantasy of finding true love. Just when she thinks she's found it, she is friend-zoned. The disappointment of rejection sends her into an obsessive downward spiral that tests the limits of her sanity and the strength of her closest friendship. In order to reclaim her bearings on reality, she confronts her overgrown fantasies by making a film about the experience. The result is a vulnerable, hilarious, and vibrantly stylized investigation of love.@